“Some people think I’m a vinyl purist, others that I think all good music was made 500 years ago. “It all became a bit odd,” he says, speaking over the phone from his California home. Over the years, through interviews and his public statements, certain qualities were attributed to Davis, regardless of fact or intent. But when its creator, Josh Davis, followed it with albums attempting something new or different, fans began to ask why he wouldn’t (or couldn’t) simply give them more of what his instrumental debut had hinted at. When Josh Davis released his debut album, the seminal Endtroducing, 20 years ago, hip-hop was gifted the sample-based compositional masterpiece it had always deserved. On his new album, The Mountain Will Fall, the producer ha s finally made peace with the scene he did so much to influence, telling Laurent Fintoni that his legacy is “only an albatross if I surrender to it.”Īrtists should be able to create free from the grip of any perceived legacy, yet as fans we often demand they abide by it. Josh Davis’ debut album Endtroducing was a high-water mark of instrumental hip-hop on its release in 1996.
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